The voice — and the engineer — behind the listen.
I'm a narrator and audio producer who treats every audiobook as a single, unbroken performance — and every file as a technical deliverable that has to pass spec.
That dual focus is the point. A reading can be beautiful and still fail QC; a file can be clean and still feel flat. I sit in the middle, shaping pace, character and tone in the booth, then editing and mastering to a standard publishers can ship without a second thought.
The result is work that disappears in the best way — listeners stay in the story, and production teams get a master that simply works.
[ portrait / studio photo ]
Genres
Literary fiction, crime & thriller, fantasy, romance, narrative non-fiction, memoir.
Specs
ACX / Audible compliant. −23 to −18 LUFS on request. −3 dB peak ceiling, ≤ −60 dB noise floor.
Turnaround
Typically 1.5–2 finished hours per studio day, scheduled to your release date.
How I got here.
From the page
A lifelong reader who fell for the craft of reading aloud — and the engineering that makes it sing.
The studio
Built a treated, low-noise space and a repeatable signal chain tuned for spoken word.
Trusted by publishers
Delivering full productions across dozens of imprints and independent authors.